Mrs. Phillips was in bed when Joan went up to say good-bye. “You’ll come again soon?” she asked, and Joan promised. “You’ve made me so happy,” she whispered. The nurse was in the room. She stood erect, looking down at him while seeming to be absorbed in the rearrangement of her hair, feeling a little ashamed of herself. She was “encouraging” him. There was no other word for it. She seemed to have developed a sudden penchant for this sort of thing. It would end in his proposing to her; and then she would have to tell him that she cared for him only in a cousinly sort of way—whatever that might mean—and that she could never marry him. She dared not ask herself why. She must manoeuvre to put it off as long as possible; and meanwhile some opening might occur to enlighten him. She would talk to him about her work; and explain to him how she had determined to devote her life to it to the exclusion of all other distractions. If, then, he chose to go on loving her—or if he couldn’t help it—that would not be her fault. After all, it did him no harm. She could always be gracious and kind to him. It was not as if she had tricked him. He had always loved her. Kneeling before her, serving her: it was evident it made him supremely happy. It would be cruel of her to end it.!

Joan stopped. “Why, it’s the house you are always talking about,” she said. “Are you thinking of taking it?” For answer she had rolled up her sleeve, and let them examine her arm. And then, in her turn, had insisted on rolling up his sleeve, revealing the fact that his arms above the wrists had evidently not too recently been washed; and the episode had ended in laughter and a babel of shrill voices. And, at once, they were a party of chums, discussing matters together.

Mary argued that England could and should keep out of it; but Greyson was convinced it would be impossible, not to say dishonourable: a sentiment that won the enthusiastic approval of the little drummer in Joan’s brain. He played “Rule Britannia” and “God Save the King,” the “Marseillaise” and the Russian National hymn, all at the same time. He would have included “Deutschland über Alles,” if Joan hadn’t made a supreme effort and stopped him. Evidently a sporting little devil. He took himself off into a corner after a time, where he played quietly to himself; and Joan was able to join in the conversation. “Hanged if I can see how we are going to get out of it,” he answered Joan cheerfully. “The moment there is any threat of war, it becomes a point of honour with every nation to do nothing to avoid it. I remember my old duelling days. The quarrel may have been about the silliest trifle imaginable. A single word would have explained the whole thing away. But to utter it would have stamped one as a coward. This Egyptian Tra-la-la! It isn’t worth the bones of a single grenadier, as our friends across the Rhine would say. But I expect, before it’s settled, there will be men’s bones sufficient, bleaching on the desert, to build another Pyramid. It’s so easily started: that’s the devil of it. A mischievous boy can throw a lighted match into a powder magazine, and then it becomes every patriot’s business to see that it isn’t put out. I hate war. It accomplishes nothing, and leaves everything in a greater muddle than it was before. But if the idea ever catches fire, I shall have to do all I can to fan the conflagration. Unless I am prepared to be branded as a poltroon. Every professional soldier is supposed to welcome war. Most of us do: it’s our opportunity. There’s some excuse for us. But these men—Carleton and their lot: I regard them as nothing better than the Ménades of the Commune. They care nothing if the whole of Europe blazes. They cannot personally get harmed whatever happens. It’s fun to them.” “I so love making them,” she said. “I say to myself, ‘It will all come right. God will send more and more of His Christ babies; till at last there will be thousands and thousands of them everywhere; and their love will change the world!’”